“After finishing my double-projection WHEN IT WAS BLUE I was horrified by the bulk of outtakes that would normally go to a landfill. So I temporarily buried then painted the film to transform it. Within this colorful, pulsating, abstract “moving painting” I attempt to express my dread of man-made waste that endangers land and wildlife. This “recycling” is a meditation on the demise of the beautiful 16mm medium and nature’s losing battle to decompose relics of our abandoned technologies.
For the soundtrack, I combined recognizable sounds, from bulldozers to nature audio, with more abstracted textural and rhythmic sounds I created using audio from consumer-goods-creating factories, old 16mm equipment, the cries of a dying bird stuck in my wall, and other oddities.”